Rooted in the social activism of Vatican II, the civil rights and anti-war movements of the sixties, the poetry of John Sheehan is filled with keen observations of place, people, and time. LEAVING GARY confronts issues of race and class, religion and landscape, memory and media, chronicling places which have disappeared and places we wish would disappear.
Rooted in the social activism of Vatican II, the civil rights and anti-war movements of the sixties, the poetry of John Sheehan is filled with keen observations of place, people, and time. LEAVING GARY confronts issues of race and class, religion and landscape, memory and media, chronicling places which have disappeared and places we wish would disappear. 64 pp.
