The return of the beautiful Countess Olenska into the conventional society of New York sends reverberations throughout the upper reaches of society. Newland Archer, an eligible young man of the establishment is about to announce his engagement to May Welland, a pretty ingenue, when May's cousin, Countess Olenska, is introduced into their circle.

The return of the beautiful Countess Olenska into the rigidly conventional society of New York sends reverberations throughout the upper reaches of society.

Newland Archer, an eligible young man of the establishment is about to announce his engagement to May Welland, a pretty ingénue, when May's cousin, Countess Olenska, is introduced into their circle. The Countess brings with her an aura of European sophistication and a hint of scandal, having left her husband and claimed her independence.

Her sorrowful eyes, her tragic worldliness and her air of unapproachability attract the sensitive Newland and, almost against their will, a passionate bond develops between them. But Archer's life has no place for passion and, with society on the side of May and all she stands for, he finds himself drawn into a bitter conflict between love and duty.

“Wharton is not generally viewed as one of literature’s great optimists, and yet, by the last chapter of The Age of Innocence, people are a little less hypocritical, a little more willing to see and accept the world. ... A larger life and more tolerant views: that’s the greatest promise the novel holds out to us, and it’s as necessary now as it was when Edith Wharton put it into words.”
—Elif Batuman, author of The Idiot, from the foreword

“Will writers ever recover that peculiar blend of security and alertness which characterizes Mrs. Wharton and her tradition?”
—E. M. Forster