Drawing from Romantic writers like Keats and Blake, alongside feminist lyric traditions, Holly Coleman's Good Girl is a hybrid chapbook of essays, poems, and fragments about how women are trained into language and what it costs. Moving through grammar, correction, desire, and the body, it traces how approval shapes a voice and what happens when that voice decides to misbehave. Formally rigorous and deeply erotic, it suggests that syntax and submission share the same logic, and that choosing otherwise is its own kind

of power.