A richly illustrated exploration of Mina Loy’s art and writings
Mina Loy (1882–1966) was one of the most iconoclastic figures in modernism. A groundbreaking poet, she also left an indelible mark in painting, drawing, prose, art criticism, and fashion. Mina Loy: Strangeness Is Inevitable is the first book to examine the full scope of her extraordinary career, demonstrating Loy’s transformative impact on the visual arts as well as the literary avant-garde of the twentieth century.
Presenting dozens of Loy’s paintings, drawings, and constructions alongside selections of her poems and writings, this book gives a comprehensive overview of the complex images and objects Loy created and situates them in the larger context of her life and work. It explores Loy’s pursuit of truth and beauty, arguing that her engagement with the emphatically “unbeautiful” materials of the Bowery—such as rags and bottle caps—reflects her questioning of truth. The book positions Loy within the broader context of surrealist art; sheds light on her relationships with influential figures such as Gertrude Stein, Marcel Duchamp, and Wyndham Lewis; and addresses Loy’s enduring relevance today.
Featuring rare and previously unpublished artworks, Mina Loy: Strangeness Is Inevitable reveals this visionary artist’s extraordinary contributions as an image-maker, writer, and cultural arbiter, introducing her work to a new generation of readers and charting new directions in art history, women’s studies, poetry, and modernist studies.
Published in association with the Bowdoin College Museum of Art
Exhibition Schedule
Bowdoin College Museum of Art, Brunswick, Maine
April 6–September 17, 2023
"Mina Loy (1882-1966) was one of the most inscrutable artists and poets of the twentieth century. Born in London and formally trained as an artist in London, Munich, and Paris, Loy was elected as a member of the Salon d'Automne in Paris at the age of 23. Her modernist enlightenment came through her introduction to the Italian Futurists, and her subsequent structurally startling and provocative poetry and manifesto-writing brought her immediate notoriety and the embrace of the American avant-garde. Upon her arrival in New York in 1916 she was featured as the prototype of the "Modern Woman" in a profile in the New York Evening Sun. Her writings were published in Camera Work, Little Review, Rogue, and elsewhere, and her art was included in the groundbreaking 1917 Independents' Exhibition. She was Marcel Duchamp's date for the Blind Man's Ball-a friendship that lasted throughout their lives, as Duchamp organized Loy's final exhibition in 1955. Today, Loy is remembered primarily as a poet. Mina Loy: Strangeness Is Inevitable is the first book to examine the full scope of her career, including her visual work. The book follows Loy on her transatlantic passage to America as an immigrant in 1936 and features over 50 of her paintings, drawings, and constructions alongside a selection of her poetry and writings, all of which reveal her omnivorous creativity as an image-maker, author, and cultural arbiter. These works are complemented by extensive, never-before-assembled archival materials that provide context for her art within the arc of her extraordinary life. Contributing authors will show how indispensable of a force she was in introducing Italian futurism to America, radicalizing the aspirations of feminism, expanding the aesthetics of surrealism, and presaging American pop art through her assemblage constructions. Introducing the full breadth of Loy's creative expression-painting, drawing, poetry, prose, art criticism, and fashion design-Mina Loy presents the remarkable vision of this iconoclast"--
"[A] rich catalogue. . . . compelling. . . . a fascinating read. . . . This catalogue presents an impressive, brilliant overview of the dynamism of Loy’s work."
---Martha Skye Murphy, Women's Art Journal
