Presents an original, insightful, and compelling vision of the trajectory of Cavell's oeuvre, one that takes his kinship with Emerson as inextricably bound up with his ever-deepening thinking about movies.
William Rothman is Professor of Cinematic Arts at the University of Miami. His many books include Tuitions and Intuitions: Essays at the Intersection of Film Criticism and Philosophy and Hitchcock: The Murderous Gaze, Second Edition, both also published by SUNY Press.
