Francis Lodwick FRS (1619-94) was a prosperous merchant, bibliophile, writer, thinker, and member of the Royal Society. He wrote extensively on language, religion, and experimental philosophy, most of it too controversial to be safely published during his lifetime. This edition includes the first publication of his unorthodox religious works alongside groundbreaking writings on language. Following an extensive introduction by the editors the book is divided into three parts. Part One includes A Common Writing (1647), the first English attempt at an artificial language, and the equally pioneering phonetic alphabet set out in An Essay Towards an Universal Alphabet (1686). Part Two contains a series of linked short treatises on the nature of religion and divine revelation, including 'Of the Word of God' and 'Of the Use of Reason in Religion', in which Lodwick argues for a new understanding of the Bible, advocates a rational approach to divine worship, and seeks to reinterpret received religion for an age of reason. The final part of the book contains his unpublished utopian fiction, A Country Not Named: here he creates a world to express his most firmly-held opinions on language and religion, and in which his utopians found a church that bans the Bible. The book gives new insights into the religious aspects of the scientific revolution and throws fresh light on the early modern frame of mind. It is aimed at intellectual and cultural historians, historians of science and linguistics, and literary scholars - indeed, at all those interested in the interplay of ideas, language, and religion in seventeenth-century England

This is the first complete edition of the writings of the merchant, scholar, and F.R.S. Francis Lodwick (1619-94). He wrote extensively on language, religion, and experimental philosophy, much of it too controversial to be published during his lifetime. This edition includes an introduction, a commentary, and primary and secondary bibliographies.

This is a remarkable and very welcome volume ... Technically, the edition is of a high standard. The text and apparatus are presented separately, with both commentary and textual notes at the end of the book, and it soon becomes intuitive to the user to flick backwards and forwards between the two ... the finishing touch is provided by a section of eight plates in full colour, most of them of manuscripts, which gives a fine sense of the material on which the volume is based. In all, this is a splendid book.