Fyodor Dostoevsky’s classic tale of one man’s pure innocence in the face of a society obsessed with power, money, and manipulationThe twenty-six-year-old Prince Myshkin, following a stay of several years in a Swiss sanatorium, returns to Russia to collect an inheritance and “be among people.” Even before he reaches home he meets the dark Rogozhin, a rich merchant’s son whose obsession with the beautiful Nastasya Filippovna eventually draws all three of them into a tragic denouement. In Petersburg the prince finds himself a stranger in a society obsessed with money, power, and manipulation. Scandal escalates to murder as Dostoevsky traces the surprising effect of this “positively beautiful man” on the people around him, leading to a final scene that is one of the most powerful in all of world literature.
Richard Pevear and Larissa Volokhonsky’s masterful translation of
The Idiot is destined to stand with their versions of
Crime and Punishment, The Brothers Karamazov, and
Demons as the definitive Dostoevsky in English.
Richard Pevear and Larissa Volokhonsky's masterful translation of The Idiot is destined to stand with their versions of Crime and Punishment, The Brothers Karamazov, and Demons as the definitive Dostoevsky in English.
After his great portrayal of a guilty man in Crime and Punishment, Dostoevsky set out in The Idiot to portray a man of pure innocence. The twenty-six-year-old Prince Myshkin, following a stay of several years in a Swiss sanatorium, returns to Russia to collect an inheritance and "be among people.” Even before he reaches home he meets the dark Rogozhin, a rich merchant's son whose obsession with the beautiful Nastasya Filippovna eventually draws all three of them into a tragic denouement. In Petersburg the prince finds himself a stranger in a society obsessed with money, power, and manipulation. Scandal escalates to murder as Dostoevsky traces the surprising effect of this "positively beautiful man” on the people around him, leading to a final scene that is one of the most powerful in all of world literature.
Praise for Pevear and Volokhonsky’s translation of
Crime and Punishment:
“Reaches as close to Dostoevsky’s Russian as is possible in English. . . . The original’s force and frightening immediacy is captured. . . . The Pevear and Volokhonsky translation will become the standard English version.” –
Chicago Tribune
