Henry Spearman, the balding economics professor with a knack for solving crimes, returns in The Mystery of the Invisible Hand--a clever whodunit of campus intrigue, stolen art, and murder. Having just won the Nobel Prize, Spearman accepts an invitation to lecture at Monte Vista University. He arrives in the wake of a puzzling art heist with plans t
Henry Spearman, the balding economics professor with a knack for solving crimes, returns in The Mystery of the Invisible Hand--a clever whodunit of campus intrigue, stolen art, and murder. Having just won the Nobel Prize, Spearman accepts an invitation to lecture at Monte Vista University. From the Monte Vista campus in San Antonio to the halls of Sotheby's in New York, Spearman traces the connections between economics and the art world, finding his clues in monopolies and the Coase conjecture, auction theory, and the work of Adam Smith. What are the parallels between a firm's capital and an art museum's collection? What does the market say about art's authenticity versus its availability? And what is the mysterious "death effect" that lies at the heart of the case? Spearman must rely on his savviest economic insights to clear up this artful mystery and pin down a killer.
"Ingenious. . . . In
The Invisible Hand, Marshall Jevons comes of age not only as a crime writer, but as one of a kind. The detective fiction is top-drawer, but the combination with economics is seamless. No one else has done this, and now Jevons has done it again. Rejoice!"
---Fred S. McChesney, Southern Economic Journal
